Der Verband Internationaler Filmmusikkritiker (IFMCA) hat heute seine Nominierungen für den Kinojahrgang 2019 bekanntgegeben. Favoriten sind erwartungsgemäß Hildur Guðnadóttir und John Williams mit jeweils 5 Nominierungen. Hier alle Nominierungen im Überblick:
FILMMUSIK DES JAHRES
• 1917, Thomas Newman
• HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD, John Powell
• JOKER, Hildur Guðnadóttir
• LITTLE WOMEN, Alexandre Desplat
• STAR WARS: THE RISE OF SKYWALKER, John Williams
FILMKOMPONIST DES JAHRES
• ALEXANDRE DESPLAT
• HILDUR GUÐNADÓTTIR
• BEAR McCREARY
• THOMAS NEWMAN
• JOHN WILLIAMS
BESTER NEWCOMER
• NAINITA DESAI
• BOBBY KRLIC
• MATHIEU LAMBOLEY
• ANNE-SOPHIE VERSNAEYEN
• CHRISTOPH ZIRNGIBL
BESTE MUSIK DRAMA
• A HIDDEN LIFE, James Newton Howard
• JOKER, Hildur Guðnadóttir
• LITTLE WOMEN, Alexandre Desplat
• MOTHERLESS BROOKLYN, Daniel Pemberton
• THE PROFESSOR AND THE MADMAN, Bear McCreary
BESTE MUSIK KOMÖDIE
• BLANCHE COMME NEIGE/WHITE AS SNOW, Bruno Coulais
• DOLEMITE IS MY NAME, Scott Bomar
• ELD & LÅGOR/SWOON, Nathaniel Méchaly
• JOJO RABBIT, Michael Giacchino
• LE MYSTÈRE HENRI PICK, Laurent Perez Del Mar
BESTE MUSIK ACTION/ADVENTURE/THRILLER
• 1917, Thomas Newman
• DUMBO, Danny Elfman
• THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT, Joe Kraemer
• MASQUERADE HOTEL, Naoki Sato
• SORDO: THE SILENT WAR, Carlos Martín Jara
BESTE MUSIK FANTASY/SCIENCE FICTION/HORROR
• AVENGERS: ENDGAME, Alan Silvestri
• GODZILLA: KING OF THE MONSTERS, Bear McCreary
• MIDSOMMAR, Bobby Krlic
• STAR WARS: THE RISE OF SKYWALKER, John Williams
• US, Michael Abels
BESTE MUSIK ANIMATION
• BUÑUEL IN THE LABYRINTH OF THE TURTLES, Arturo Cardelús
• FROZEN II, Christophe Beck
• HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD, John Powell
• J’AI PERDU MON CORPS/I LOST MY BODY, Dan Levy
• MINISCULE: LES MANDIBULES DU BOUT DU MONDE, Mathieu Lamboley
BESTE MUSIK DOKUMENTATION
• THE BIGGEST LITTLE FARM, Jeff Beal
• CYBER WORK AND THE AMERICAN DREAM, Chad Cannon
• FINIS TERRAE, Christoph Zirngibl
• OUR PLANET, Steven Price
• UNTAMED ROMANIA, Nainita Desai
BESTE MUSIK TV
• CHERNOBYL, Hildur Guðnadóttir
• THE DARK CRYSTAL: AGE OF RESISTANCE, Daniel Pemberton & Samuel Sim
• GOOD OMENS, David Arnold
• HIS DARK MATERIALS, Lorne Balfe
• THE ORVILLE, John Debney, Joel McNeely, & Andrew Cottee
BESTE MUSIK VIDEOSPIEL
• DAYS GONE, Nathan Whitehead
• ERICA, Austin Wintory
• A PLAGUE TALE: INNOCENCE, Olivier Derivière
• REND, Neal Acree
• STAR WARS JEDI: FALLEN ORDER, Gordy Haab & Stephen Barton
BESTE ARCHIV-VERÖFFENTLICHUNG
• AIR FORCE ONE, Jerry Goldsmith (Varèse Sarabande)
• APOLLO 13, James Horner (Intrada)
• THE BRIDE OF FRANKENSTEIN, Franz Waxman (La La Land)
• DIAL M FOR MURDER, Dimitri Tiomkin (Intrada)
• DRACULA/THE CURSE OF FRANKENSTEIN, James Bernard (Tadlow)
BESTE ARCHIV-VERÖFFENTLICHUNG KOMPILATION
• ACROSS THE STARS, John Williams (Deutsche Grammophon)
• THE DISASTER MOVIE SOUNDTRACK COLLECTION, John Williams (La La Land)
• MARCO BELTRAMI: MUSIC FOR FILM, Marco Beltrami (Silva Screen/Film Fest Gent)
• NEVADA SMITH: THE PARAMOUNT WESTERNS COLLECTION, verschiedene Komponisten (La La Land)
• PLANET OF THE APES: ORIGINAL FILM SERIES SOUNDTRACK COLLECTION, Jerry Goldsmith, Leonard Rosenman, & Tom Scott (La La Land)
BESTES FILMMUSIK LABEL
• INTRADA RECORDS, Douglass Fake & Roger Feigelson
• LA LA LAND RECORDS, MV Gerhard & Matt Verboys
• MOVIESCORE MEDIA, Mikael Carlsson
• MUSIC BOX RECORDS, Cyril Durand-Roger & Laurent Lafarge
• QUARTET RECORDS, Jose M. Benitez
BESTE FILMMUSIK KOMPOSITION
• “A Hidden Life” aus A HIDDEN LIFE, James Newton Howard
• “Call Me Joker” aus JOKER, Hildur Guðnadóttir
• “Portals” aus AVENGERS: ENDGAME, Alan Silvestri
• “The Night Window” aus 1917, Thomas Newman
• “The Rise of Skywalker” aus STAR WARS: THE RISE OF SKYWALKER, John Williams