Veröffentlicht von Der Verband Internationaler Filmmusikkritiker hat vergangenen Donnerstag die Gewinner für die besten Filmmusiken des Jahres 2018 bekanntgegeben:
FILMMUSIK DES JAHRES
- BLACK PANTHER, Ludwig Göransson
- FIRST MAN, Justin Hurwitz
- MARY POPPINS RETURNS, Marc Shaiman
- MAX AND ME, Mark McKenzie
- SOLO, John Powell
FILMKOMPONIST DES JAHRES
- ROQUE BAÑOS
- NICHOLAS BRITELL
- LUDWIG GÖRANSSON
- JAMES NEWTON HOWARD
- ALAN SILVESTRI
NEWCOMER DES JAHRES
- THOMAS ADÈS
- IVÁN PALOMARES
- MANUEL RIVEIRO
- AMELIA WARNER
- THOM YORKE
BESTE FILMMUSIK DRAMA
- EN LAS ESTRELLAS/UP AMONG THE STARS, Iván Palomares
- FIRST MAN, Justin Hurwitz
- IF BEALE STREET COULD TALK, Nicholas Britell
- MARY, QUEEN OF SCOTS, Max Richter
- VICE, Nicholas Britell
BESTE FILMMUSIK KOMÖDIE
- CHRISTOPHER ROBIN, Geoff Zanelli & Jon Brion
- CRAZY RICH ASIANS, Brian Tyler
- MARY POPPINS RETURNS, Marc Shaiman
- THE SISTERS BROTHERS, Alexandre Desplat
- VIDEOMANNEN/VIDEOMAN, Robert Parker & Waveshaper
BESTE FILMMUSIK ACTION/ADVENTURE/THRILLER
- KING OF THIEVES, Benjamin Wallfisch
- LA SOMBRA DE LA LEY/GUN CITY, Manuel Riveiro & Xavier Font
- MISSION: IMPOSSIBLE – FALLOUT, Lorne Balfe
- OPERATION FINALE, Alexandre Desplat
- RED SPARROW, James Newton Howard
BESTE FILMMUSIK FANTASY/SCIENCE FICTION/HORROR
- BLACK PANTHER, Ludwig Göransson
- FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, James Newton Howard
- JURASSIC WORLD: FALLEN KINGDOM, Michael Giacchino
- READY PLAYER ONE, Alan Silvestri
- SOLO, John Powell
BESTE FILMMUSIK ANIMATION
- INCREDIBLES 2, Michael Giacchino
- ISLE OF DOGS, Alexandre Desplat
- MAX AND ME, Mark McKenzie
- SPIDER-MAN: INTO THE SPIDER-VERSE, Daniel Pemberton
- WATERSHIP DOWN, Federico Jusid
BESTE FILMMUSIK DOKUMENTATION
- DYNASTIES, Benji Merrison & Will Slater
- FREE SOLO, Marco Beltrami
- McQUEEN, Michael Nyman
- TIDES OF FATE, Pinar Toprak
- WILD, Matthijs Kieboom
BESTE FILMMUSIK TV
- AIQING DE BIANJIANG/FRONTIER OF LOVE, Mark Chait
- LA CATEDRAL DEL MAR, Federico Jusid
- LOST IN SPACE, Christopher Lennertz
- WESTWORLD, Ramin Djawadi
- YELLOWSTONE, Brian Tyler
BESTE FILMMUSIK VIDEOSPIEL / MULTIMEDIA
- 11:11 MEMORIES RETOLD, Olivier Derivière
- GOD OF WAR, Bear McCreary
- NI NO KUNI II: REVENANT KINGDOM, Joe Hisaishi
- SPIDER-MAN, John Paesano
- TORN, Garry Schyman
BESTE ARCHIVARISCHE -VERÖFFENTLICHUNG ODER NEUAUFNAHME
- BRAM STOKER’S DRACULA, (La-La Land)
- THE BRIDE WORE BLACK, (Quartet)
- DRACULA, (Varèse Sarabande)
- EL HOMBRE Y LA TIERRA, (Quartet)
- THE VIKINGS (Prometheus/Tadlow)
BESTE KOMPILATION
- CARTER BURWELL: MUSIC FOR FILM, (Silva Screen)
- THE COMPLETE LONDON SESSIONS (Varèse Sarabande)
- HARRY POTTER: THE JOHN WILLIAMS SOUNDTRACK COLLECTION (La-La Land)
- THRILLER 2 (Tadlow)
- A TRIBUTE TO MICHAEL KAMEN (Quartet)
FILMMUSIK LABEL DES JAHRES
- INTRADA RECORDS, Douglass Fake, Roger Feigelson
- LA-LA LAND RECORDS, MV Gerhard, Matt Verboys
- QUARTET RECORDS, Jose M. Benitez
- TADLOW MUSIC, James Fitzpatrick
- VARÉSE SARABANDE, Robert Townson
FILMMUSIK KMPOSITION DES JAHRES
- “The Landing” aus FIRST MAN, von Justin Hurwitz
- “Finale” aus MARY, QUEEN OF SCOTS, von Max Richter
- “Overture” aus RED SPARROW, von James Newton Howard
- “Mine Mission” aus SOLO, von John Powell
- “The Adventures of Han” aus SOLO, von John Williams